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NEWSLETTER NOW OUT - to download - click HERE COURTHOUSE SCREENING ROOM OPENS LEARN SOMETHING NEW How about setting up an Alchemy server for Dolby Atmos. Loads of useful Barco training videos here... NEWLYN FILMHOUSE OPENS QUADROPHENIA at the HAMMERSMITH ODEON / APOLLO / EVENTIM 
NEW - DP2k-6E, low cost integrated projector and Alchemy server Get pricing... Why use laser in projectors ? Training resources We hope that these video tutorials are of some use. Full credit to the authors and sources..  Training videos
HIGH END SYSTEMS  We're pleased to be working with High End Systems - the worlds best theatre lights. These arent for everyone - as the name suggests they are not cheap but are the best - no more replacing Chinese moving heads or LEDS every couple of years or climbing the rig weekly to reset or repair. Thes are simply the best. More here, or look at what they can do - Moving video, mounts for 4k projectors - the sky is the limit and they are build to last. More here.. HIGH END website P-PAA20 SIMPLE AUTOMATION SYSTEM
The PAA 20+ makes it easy to interface digital cinema playback equipment with existing cinema control systems, thus enabling fully automated presentations. Low cost and does more than units twice it's price
Portfolio of past works |
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Our portfolio of past works The  Curzon Soho
We have been involved with the Curzon Soho since our first installations of Digital sound in the early 1990s. We later worked with City Screen to triple the venue and produce the only all-THX cinema in London. Later additions included Digital upgrading to all screens. Deep in the heart of Soho, Curzon's flagship venue has established itself as the country's busiest arthouse cinema. Building on the site of the bombed Shaftesbury Pavilion of 1912, Harold Wingate had planned a sister site to the Curzon in Mayfair, but eventually the cinema was leased to Columbia Pictures and in February 1959, the Columbia Cinema opened with Gigi. Equipped to show 70mm, the cinema was sunk into the basement of a large office block. A generous foyer led down to toilets, cloakrooms and a kiosk, and then it was down another level to the 734-seat screen. A lack of product from the studio and increased local competition led to Cannon Classic taking over the lease in 1982. Dolby stereo was installed but their time was short lived when in 1984 the cinema became an art-house venue for the first time under the guise of the Premiere Cinema, opening with John Cassavetes' Love Streams. This too was short-lived and the cinema fell into the open arms of Roger Wingate, who completed his father's vision by partnering it with the Curzon in Mayfair. In 1985, the Curzon West End was born. In 1998, the cinema was divided into a three screen complex and renamed Curzon Soho. With a fully licensed bar on the mezzanine level, the venue has proved hugely successful, voted London's Number One cinema by Time Out readers 
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